Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael Transfiguration, oil painting


Transfiguration,
Transfiguration, 1520, unfinished at his death.
Painting ID::  60295
Raphael
Transfiguration,
Transfiguration, 1520, unfinished at his death.
   
   
     

Raphael Portrait of Elisabetta Gonzaga, oil painting


Portrait of Elisabetta Gonzaga,
Portrait of Elisabetta Gonzaga, ca. 1504
Painting ID::  60353
Raphael
Portrait of Elisabetta Gonzaga,
Portrait of Elisabetta Gonzaga, ca. 1504
   
   
     

Raphael Portrait of Pope Julius II, oil painting


Portrait of Pope Julius II,
Portrait of Pope Julius II, ca. 1512
Painting ID::  60371
Raphael
Portrait of Pope Julius II,
Portrait of Pope Julius II, ca. 1512
   
   
     

Raphael Portrait of Bindo Altoviti, oil painting


Portrait of Bindo Altoviti,
Portrait of Bindo Altoviti, ca. 1514
Painting ID::  60372
Raphael
Portrait of Bindo Altoviti,
Portrait of Bindo Altoviti, ca. 1514
   
   
     

Raphael Portrait of Baldassare Castiglione oil painting


Portrait of Baldassare Castiglione
Portrait of Baldassare Castiglione, ca. 1515.
Painting ID::  60373
Raphael
Portrait of Baldassare Castiglione
Portrait of Baldassare Castiglione, ca. 1515.
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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